Ron Wood - ...and on guitar (1987)

Ronald David Wood was born on 1 June 1947 in Hillingdon, London, and made his first appearances on record during the mid-'60s, firstly as guitarist for the Birds, who were an R&B band based in Yiewsley, Middlesex. They were a popular live act with a considerable fan base, releasing several singles in the mid-1960's, and Wood wrote or co-wrote nearly half the songs that the group recorded. By 1967 the Birds had disbanded, and Wood briefly took part in a project called Santa Barbara Machine Head, which included later Deep Purple co-founder Jon Lord (did he file that name away for later use?), before becoming a member of the oft-overlooked mod outfit The Creation, remaining with them for a short while, and appearing on a handful of their singles. After he left The Creation in 1967 he joined the Jeff Beck Group, but as Beck was one of the leading guitarists of the time, Wood switched to bass while with the band, and they recorded two highly respected albums, with 'Truth' appearing in 1968, and 'Beck-Ola' following the next year. Following the release of 'Beck-Ola', the Jeff Beck Group disbanded, with vocalist Rod Stewart embarking on a solo career, and after Steve Marriott left the Small Faces, Wood began working with the remaining members of that group, returning to his instrument of choice, the guitar. This line-up, plus Rod Stewart and former Bird Kim Gardner, teamed up with Wood's brother Art Wood in a group that they called Quiet Melon, and they made a handful of recordings in May 1969. When Quiet Melon folded, Wood and Stewart joined the former Small Faces full-time, changing the band's name to The Faces, and it was most of this band, with the addition of Keith Emerson on keyboards, and Steamhammer's Martin Pugh and Martin Quittenton, that backed Stewart on his first solo album 'An Old Raincoat Won't Ever Let You Down' in 1969. 

In the first half of the 1970's, The Faces released four studio albums and were among the top-grossing live acts of the period, and as well as his distinctive guitar work, Wood contributed harmonica, vocals and bass to the band's recordings, and co-wrote many of their songs. In 1972, Wood and Faces bassist Ronnie Lane composed the soundtrack to the film 'Mahoney's Last Stand' with help from Pete Townshend, Ric Grech and Kenney Jones, but the soundtrack album didn't appear until four years later in 1976. In 1973 Wood asked his old friend Mick Taylor to help out with his first solo album, and later that year he collaborated with Mick Jagger on the song 'It's Only Rock'n Roll (But I Like It)', as well as joining David Bowie to record a cover of Bruce Springsteen's 'Growing Up' during sessions for his 'Diamond Dogs' album. When Taylor departed from the Rolling Stones in December 1974, Wood helped out with the band's March 1975 recording sessions for their forthcoming album 'Black And Blue', and although still a member of Faces, he toured North America with The Rolling Stones in 1975. When The Faces announced their break-up in December of that year, Wood was officially declared a member of The Rolling Stones in 1976, playing slide guitar, as Taylor and Brian Jones had done before him, and adding both lap steel and pedal steel guitar to his repertoire. In addition, he often exchanged roles on the guitar with Keith Richards, blurring the boundaries between rhythm and lead, even within a particular song. In 1975, Wood released his second solo album 'Now Look', followed four years later by 'Gimme Some Neck', and to promote it he formed and toured with The New Barbarians, playing 20 concerts in Canada and the US. Throughout the 1980's Wood kept very busy, playing as an official member of The Rolling Stones, continuing his solo career, painting, and collaborating with a number of other artists, including Prince, Bob Dylan, David Bowie, Eric Clapton, Bo Diddley, Ringo Starr and Aretha Franklin. Wood's first guest appearance was actually on Donovan's 'Barabajagal' single, where The Jeff Beck Group acted as his backing band, but as Wood was playing bass and not guitar I'm starting this collection with his appearance on Rod Stewart's 1970 album, and working through his contributions to other artists efforts through to the late 80's, and for the cover I've used a rare self-portrait painted by Wood himself. 

Track listing

Disc One
01 Only A Hobo (from 'Gasoline Alley' by Rod Stewart 1970) 
02 I'm Ready (from 'It Ain't Easy' by John Baldry 1971) 
03 Stop On The Red (from 'Wun' by Gerry Lockran 1972)

04 Just For A Moment (from the soundtrack of the film 'Mahoney's Last Stand' 1972)
05 Brahms (from 'The Academy In Peril' by John Cale 1972) 
06 Fallen Angel (from 'On The Road To Freedom' by Alvin Lee & Mylon LeFevre 1973)
07 Growin' Up (out-take from 'Pin Ups' by David Bowie 1973)
08 Kew (from 'Love Songs' by Billy Nicholls 1974)
09 Shut Up (from 'First Of The Big Bands' by Tony Ashton & John Lord 1974)
10 Ding Dong, Ding Dong (from 'Dark Horse' by George Harrison 1974) 
11 Feet (from 'Stone Alone' by Bill Wyman 1976)
12 Kinky (from 'Lasso From El Paso' by Kinky Friedman 1976)

Disc Two
01 All Our Past Times (from 'No Reason To Cry' by Eric Clapton 1976)
02 What A Town (from 'Rick Danko' by Rick Danko 1977)
03 Slow Screw Against The Wall/A♭ Fry (from 'Ask Rufus' by Rufus feat. Chaka Khan 1977) 
04 Nobody's Child (from 'Puttin' On The Style' by Lonnie Donegan 1978) 
05 Jumpin' Jack Flash (from 'Aretha' by Aretha Franklin 1980)
06 Little Girl (from 'Bump In The Night' Ian McLagan 1981) 
07 Dead Giveaway (from 'Stop And Smell The Roses' by Ringo Starr 1981) 
08 Clean Cut Kid (from 'Empire Burlesque' by Bob Dylan 1985)
09 Go 'Way Little Boy (b-side of 'Sweet Sweet Baby' single by Lone Justice 1985)
10 Love Roulette (from 'Heartbeat' by Don Johnson 1986) 
11 Baby (from 'Dirty Strangers' by Dirty Strangers 1987)
12 The Usual (from the soundtrack of the film 'Hearts Of Fire' 1987)

Thanks to Gil for the suggestion

Alvin Lee - ...and on guitar (1992)

Graham Anthony Barnes (aka Alvin Lee) was born on 19 December 1944, and began playing guitar at the age of 13. In 1960 he and Leo Lyons formed the core of the band he was most associated with, Ten Years After, after firstly being influenced by his parents' collection of jazz and blues records, but mostly being inspired by the advent of rock and roll. The band's big break came in 1969, when their performance at the Woodstock Festival was captured on film, and his lightning-fast playing helped catapult him to stardom, and soon the band was playing arenas and stadiums around the globe after the film brought Lee's music to a worldwide audience. Ten Years After released ten albums together, but by 1973 Lee was feeling limited by the band's style, with Columbia Records steering them into a pop direction following a radio hit with 'I'd Love To Change The World, while Lee preferred blues-rock, and so he left the band after their second Columbia LP. Along with American Christian rock pioneer Mylon LeFevre, and guests George Harrison, Steve Winwood, Ronnie Wood and Mick Fleetwood, he recorded and released 'On The Road To Freedom', which was acclaimed as being at the forefront of country rock. Also in 1973, he sat in on the Jerry Lee Lewis double album 'The Session...Recorded in London', and a year later, in response to a dare, he formed Alvin Lee & Company to play a show at the Rainbow Theatre in London, and released it as the double live album 'In Flight'. After guesting on records by George Harrison and Splinter in 1974, he played guitar on a couple of tracks on Bo Diddley's 'The 20th Anniversary of Rock 'n' Roll', and he finished the 70's with an outfit called Ten Years Later, with Tom Compton on drums and Mick Hawksworth on bass, releasing two albums and touring extensively throughout Europe and the United States. The 1980's brought another change in Lee's direction, with two albums that were collaborations with Rare Bird's Steve Gould, and a tour for which the former John Mayall and Rolling Stones guitarist Mick Taylor joined his band, and guest appearances ceased for most of that decade, only appearing on Roger Chapman's 'Techno-Prisoners' in 1987. Lee died on 6 March 2013 in Spain, as a result of unforeseen complications following a routine surgical procedure to correct an atrial arrhythmia. He was 68.

Track listing

01 Movin' On Down The Line (from 'The Session' by Jerry Lee Lewis 1973)
02 Gravy Train (from 'The Place I Love' by Splinter 1974)
03 Ding Dong Ding Dong (from 'Dark Horse' by George Harrison 1974)
04 Royal Majesty (from 'Anniversary Special: Volume One' by The Earl Scruggs Revue 1975)
05 Cat Dance (from 'Peter And The Wolf' Various Artists album 1975)
06 Kill My Body (from 'The 20th Anniversary Of Rock & Roll' by Bo Diddley 1976)
07 Wild Again (from 'Techno-Prisoners' by Roger Chapman 1987)
08 No Limit (from 'Guitar Speak' Various Artists album 1988)
09 I Love New York (from 'The Taiga Symphony' by Valeria 1991)
10 Jane (From 'Rockeye' by The Outfield 1992)

George Harrison - ...and on guitar (1975)

By 1969 George Harrison's songwriting had come on in leaps and bounds, culminating in him providing two of the most popular songs on The Beatles' 'Abbey Road' album. That same year he co-wrote 'Badge' with Eric Clapton, which was included on Cream's 'Goodbye' album, and on which Harrison played rhythm guitar, using the pseudonym L'Angelo Misterioso for contractual reasons. In May 1970 he played guitar on several songs during a recording session for Bob Dylan's album 'New Morning', and although none of them made the final cut for the album, some of them have appeared on one of Dylan's 'Bootleg Series' albums, including an alternate take of 'New Morning's 'Time Passes Slowly'. In 1971 he produced and played slide guitar on Badfinger's top ten hit 'Day After Day', and contributed dobro to Billy Preston's 'I Wrote a Simple Song', while in 1972 he added guitar to Harry Nilsson's 'You're Breakin' My Heart'. The following year he appeared on Cheech & Chong's 'Basketball Jones' from their 'Big Bambu' album, and 1973 also saw him add guitar to 'Waiting For The Band' from Nicky Hopkins' 'The Tin Man Was A Dreamer' under the name of George O'Hara, and 'If You've Got Love' from 'It's Like You Never Left' by Dave Mason under another of his pseudonyms, Son Of Harry. Lastly from 1973, Hari Georgeson helped out Alvin Lee & Mylon LeFevre on 'So Sad (No Love Of His Own)' from their 'On The Road To Freedom' album. 1974 was a bit quieter, with Harrison co-writing 'Far East Man' with Ronnie Wood, and both artists recording their own versions of the song, with Wood's coming out first on his 'I've Got My Own Album To Do' release. Also in 1974, two-man band Splinter released their debut, Harrison-produced album 'The Place I Love' on his Dark Horse label. It was actually the first record to be released on the label, and Harrison played guitar and keyboards on it as well, with the record spawning the hit single 'Costafinetown'. In 1975 Harrison expanded his horizons and added guitar to Tom Scott's jazz album 'New York Connection', rounding off nicely his extra-curricular activities from the first half on the 70's. Harrison then took a break while he released solo albums of his own, with his next guest appearances being in 1981 on an album from Mick Fleetwood and a single by Ringo Starr.   

Track listing

01 Badge (single by Cream 1969)

02 Time Passes Slowly (from the 'New Morning' sessions with Bob Dylan 1970)

03 I Wrote A Simple Song (from 'I Wrote A Simple Song' by Billy Preston 1971)

04 Day After Day (single by Badfinger 1971)

05 You're Breaking My Heart (from 'Nilsson Schmilsson' by Harry Nilsson 1972)

06 If You've Got Love (from 'It's Like You Never Left' by Dave Mason  1973) 

07 Waiting For The Band (from 'The Tin Man Was A Dreamer' by Nicky Hopkins 1973)  

08 Basketball Jones (from 'Big Bambu' by Cheech & Chong 1973)

09 So Sad (No Love Of His Own) (from 'On The Road To Freedom' by Alvin Lee 1973)  

10 Far East Man (from 'I've Got My Own Album To Do' by Ronnie Wood 1974)

11 Somebody's City (from 'The Place I Love' by Splinter 1974)

12 Appolonia (from 'New York Connection' by Tom Scott 1975)